By The Author Of "Grumbling Tommy," Etc.
Late 19th century morality story for young persons.
London: S. W. Partridge & Co. 1884. 110p. USED BOOK
By Captain W. E. Johns. Illustrated By Alfred Sindall
A boys’ book from the classic series heralding World War 2, and highlighting the excitement and attractiveness of war..
FROM CHAPTER 1: “ PETER FORTYMORE RECEIVES BAD NEWS. THERE was a pensive, almost wistful, expression on the face of the Honourable Peter Fortymore as, with his chin cupped in his hands, he sat at his study window and stared out across the deserted, moonlit playing-fields of Rundell School, where for five years he had been a pupil. The door be- hind him opened, but he did not turn, for he knew from the heavy, deliberate footsteps that the new- comer washis friend and room-mate, Dick Ripley, known throughout the upper school as Rip…”
London. Geoffrey Cumberlege Oxford University Press. 1950. 245p
By Captain W. E. Johns
The classic boys’ books trumpeting the attraction and excitement of war, especially World War 2.
FROM CHAPTER 1: ““Air-Commodore Raymond, Chief of the Air Section of Scotland Yard, greeted his operational staff from behind a paper-littered desk, as, in obedience to his invitation, they filed into his office.
" Pull up some chairs," he requested. "This is only in the nature of a conference, and, strangely enough, for once there's nothing urgent about it. Help yourselves to cigarettes-we may be some time." He pushed the box forward.
London. Holder and Stoughton. 1954. 162p. USED BOOK
By Herman Melville
From Wikipedia: Moby-Dick; or, The Whale is an 1851 novel by American writer Herman Melville. The book is the sailor Ishmael's narrative of the maniacal quest of Ahab, captain of the whaling ship Pequod, for vengeance against Moby Dick, the giant white sperm whalethat bit off his leg on the ship's previous voyage. A contribution to the literature of the American Renaissance, Moby-Dick was published to mixed reviews, was a commercial failure, and was out of print at the time of the author's death in 1891. Its reputation as a Great American Novel was established only in the 20th century, after the 1919 centennial of its author's birth. William Faulkner said he wished he had written the book himself,[1] and D. H. Lawrence called it "one of the strangest and most wonderful books in the world" and "the greatest book of the sea ever written".[2] Its opening sentence, "Call me Ishmael", is among world literature's most famous.[3]
London. Richard Bentley . 1851. 632p.
By Anthony Trollope
From Wikipedia: The Way We Live Now is a satirical novel by Anthony Trollope, published in London in 1875 after first appearing in serialised form. It is one of the last significant Victorian novels to have been published in monthly parts. The novel is Trollope's longest, comprising 100 chapters, and is particularly rich in sub-plot. It was inspired by the financial scandals of the early 1870s; Trollope had just returned to England from abroad, and was appalled by the greed and dishonesty those scandals exposed. This novel was his rebuke. It dramatised how such greed and dishonesty pervaded the commercial, political, moral, and intellectual life of that era.
London Chapman and Hall. 1875. 1080p.
By Anthony Trollope
From Wikipedia: When neither the Whigs nor the Tories are able to form a government on their own, a fragile compromise coalition government is formed, with Plantagenet Palliser, the wealthy and hard-working Duke of Omnium, installed as Prime Minister of the United Kingdom. The Duchess, formerly Lady Glencora Palliser, attempts to support her husband by hosting lavish parties at Gatherum Castle in Barsetshire, the family's largest country house, barely used until now. Palliser, initially unsure that he is fit to lead, grows to enjoy his high office, but becomes increasingly distressed when his government proves to be too weak and divided to accomplish anything. His own inflexible nature does not help.
London. Chapman & Hall. 1876. 807p.
By Anthony Trollope
Fron Wikipedia: “Phineas Finn is a novel by Anthony Trollope and the name of its leading character. The novel was first published as a monthly serial from October 1867 to May 1868 in St Paul's Magazine.[1] It is the second of the "Palliser" series of novels. Its sequel, Phineas Redux, is the fourth novel in the series. The character of Phineas Finn is said to have been partly inspired by Sir John Pope Hennessy (grandfather of the museum director of the same name),[2] a Roman Catholic from Cork, who was elected as an "Irish Nationalist Conservative" Member of Parliament for King's County in 1859.[3] It deals with both British parliamentary politics of the 1860s, including voting reform (secret ballot and eliminating rotten boroughs and Irish tenant-right) and Finn's romances with women of fortune, which would secure his financial future.
London. George Virtue. 1869. 751p.
By Anthony Trollope
Barchester Towers is a novel by English author Anthony Trollope published by Longmans in 1857. It is the second book in the Chronicles of Barsetshire series, preceded by The Warden and followed by Doctor Thorne. Among other things it satirises the antipathy in the Church of England between High Church and Evangelicaladherents. Trollope began writing this book in 1855. He wrote constantly and made himself a writing-desk so he could continue writing while travelling by train. "Pray know that when a man begins writing a book he never gives over", he wrote in a letter during this period. "The evil with which he is beset is as inveterate as drinking – as exciting as gambling". In his autobiography, Trollope observed "In the writing of Barchester Towers I took great delight. The bishop and Mrs. Proudie were very real to me, as were also the troubles of the archdeacon and the loves of Mr. Slope". When he submitted his finished work, his publisher, William Longman, initially turned it down, finding much of it to be full of "vulgarity and exaggeration".[1
London. Longmans. 1857. 559p.
By Mark Twain
From Wikipedia: The Prince and the Pauper is a novel by American author Mark Twain. It was first published in 1881 in Canada, before its 1882 publication in the United States.[1] The novel represents Twain's first attempt at historical fiction. Set in 1547, it tells the story of two young boys who were born on the same day and are identical in appearance: Tom Canty, a pauper who lives with his abusive, alcoholic father in Offal Court off Pudding Lane in London, and Edward VI of England, son of Henry VIII of England. Plot: Tom Canty, the youngest son of a very poor family living in Offal Court located in London, has been abused by his father and grandmother, but is encouraged by the local priest, who taught him to read and write. Loitering around the palace gates one day, he sees Edward Tudor, the Prince of Wales. Coming too close in his intense excitement, Tom is caught and nearly beaten by the Royal Guards. However, Edward stops them and invites Tom into his palace chamber. There, the two boys get to know one another and are fascinated by each other's life. They have an uncanny resemblance to each other and learn they were even born on the same day, so they decide to swap clothes “temporarily". The Prince hides an item, which the reader later learns……
By Mark Twain
From Wikipedia: Adventures of Huckleberry Finn is a novel by American author Mark Twain, which was first published in the United Kingdom in December 1884 and in the United States in February 1885.
Commonly named among the Great American Novels, the work is among the first in major American literature to be written throughout in vernacular English, characterized by local color regionalism. It is told in the first person by Huckleberry "Huck" Finn, the narrator of two other Twain novels (Tom Sawyer Abroad and Tom Sawyer, Detective) and a friend of Tom Sawyer. It is a direct sequel to The Adventures of Tom Sawyer. The book is noted for "changing the course of children's literature" in the United States for the "deeply felt portrayal of boyhood".[2][better source needed] It is also known for its colorful description of people and places along the Mississippi River. Set in a Southernantebellum society that had ceased to exist over 20 years before the work was published, Adventures of Huckleberry Finn is an often scathing satire on entrenched attitudes, particularly racism and freedom. Perennially popular with readers, Adventures of Huckleberry Finn has also been the continued object of study by literary critics since its publication. The book was widely criticized upon release because of its extensive use of coarse language and racial epithet. Throughout the 20th century, and despite arguments that the protagonist and the tenor of the book are anti-racist,[3][4] criticism of the book continued due to both its perceived use of racial stereotypes and its frequent use of the racial slur "nigger".
USA. Chatto & Windus / Charles L. Webster And Company.. 1884. 440p.
By Mark Twain
From Wikipedia: The Adventures of Tom Sawyer is an 1876 novel by Mark Twain about a boy growing up along the Mississippi River. It is set in the 1840s in the town of St. Petersburg, which is based on Hannibal, Missouri, where Twain lived as a boy.[2] In the novel, Tom Sawyerhas several adventures, often with his friend Huckleberry Finn. Originally a commercial failure, the book ended up being the best selling of Twain's works during his lifetime.[3][4]Though overshadowed by its sequel, Adventures of Huckleberry Finn, the book is considered by many to be a masterpiece of American literature.[5] It was one of the first novels to be written on a typewriter.
Tom Sawyer is an orphan who lives with his Aunt Polly and his half-brother Sid in the town of St. Petersburg, Missouri, sometime in the 1840s. A fun-loving boy, he frequently skips school to play or go swimming. When Aunt Polly catches him sneaking home late on a Friday evening and discovers that he has been in a fight, she makes him whitewash her fence the next day as punishment….
Hartford. Conn. American Publishing Company. 1884. 392p.
By Henry James
From Wikipedia: The story of Washington Square by Henry James is told with a nuanced perspective of characters with individual rationalizations and sometimes undisclosed motivations. There is a subtle ambiguity to the internal logic of the participants in the story and none are altogether depicted as outright villainous.
In 1840s New York City, naive, introverted Catherine Sloper lives with her respected physician father, Dr. Austin Sloper, in Washington Square, a then newly established neighborhood near Greenwich Village. After the deaths of his wife and son, Dr. Sloper raises Catherine with his widowed sister, Mrs. Penniman, who is charged with Catherine's education. Although never disclosed directly to Catherine, the Doctor does not hold her personality or appearance in high regard, finding her a cheap substitute for her mother. This evaluation is never challenged in the narrative and Catherine is depicted as a simple, reserved individual……
NY. Harper. 1880. 266p.
By Henry James
From Wikipedia: The Portrait of a Lady is a novel by Henry James, first published as a serial in The Atlantic Monthly and Macmillan's Magazine in 1880–81 and then as a book in 1881. It is one of James's most popular novels and is regarded by critics as one of his finest.
The Portrait of a Lady is the story of a spirited young American woman, Isabel Archer, who, "affronting her destiny,"[1] finds it overwhelming. She inherits a large amount of money and subsequently becomes the victim of Machiavellian scheming by two American expatriates. Like many of James's novels, it is set in Europe, mostly England and Italy. Generally regarded as the masterpiece of James's early period,[2] this novel reflects James's continuing interest in the differences between the New World and the Old, often to the detriment of the former. It also treats in a profound way the themes of personal freedom, responsibility, and betrayal.
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Isabel Archer, from Albany, New York, is invited by her maternal aunt, Lydia Touchett, to visit Lydia's rich husband, Daniel, at his estate near London, following the death of Isabel's father. There, Isabel meets her uncle, her friendly invalid cousin Ralph Touchett, and the Touchetts' robust neighbor, Lord Warburton. Isabel later declines Warburton's sudden proposal of marriage. She also rejects the hand of Caspar Goodwood, the charismatic son and heir of a wealthy Boston mill owner. Although Isabel is drawn to Caspar, her commitment to her independence precludes such a marriage, which she feels would demand the sacrifice of her freedom…….
By Henry James
The Bostonians is a novel by Henry James, first published as a serial in The Century Magazine in 1885–1886 and then as a book in 1886. This bittersweet tragicomedycentres on an odd triangle of characters: Basil Ransom, a political conservative from Mississippi; Olive Chancellor, Ransom's cousin and a Boston feminist; and Verena Tarrant, a pretty, young protégée of Olive's in the feminist movement. The storyline concerns the struggle between Ransom and Olive for Verena's allegiance and affection, though the novel also includes a wide panorama of political activists, newspaper people, and quirky eccentrics.
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Henry James originally entered into an agreement with the Boston publisher James R. Osgood & Co. to publish the book in the United States for $4,000. Osgood made a separate agreement with The Century for the magazine to serialize the novel. In May 1885, before the serialization had finished and James had been paid any of the money owed to him, Osgood's firm went bankrupt.[1] James was able to recover part of the lost sum by selling the copyright to Macmillan and Co., which published The Bostonians in a three-volume edition in Britain in February 1886, and in a one-volume edition in the US in May 1886.[1] James was not, however, able to recover any money for the serialization in The Century.[2]
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Mississippi lawyer and Civil War veteran, Basil Ransom, visits his cousin Olive Chancellor in Boston. She takes him to a political meeting where Verena Tarrant delivers a feminist speech. Ransom, a strong conservative, is annoyed by the speech but fascinated with the speaker. Olive, who never has set eyes on Verena, is equally fascinated. She persuades Verena to leave her parents' house, move in with her and study in preparation for a career in the feminist movement. Meanwhile, Ransom returns to his law practice in New York, which is not doing well. He visits Boston again and walks with Verena through the grounds of Harvard College, including the impressive Civil War Memorial Hall. Verena finds herself attracted to the charismatic Ransom. Basil eventually proposes to Verena, much to Olive's dismay. Olive has arranged for Verena to speak at the Boston Music Hall. Ransom shows up at the hall just before Verena is scheduled to begin her speech. He persuades Verena to elope with him, to the discomfiture of Olive and her fellow-feminists. The final sentence of the novel shows Verena in tears – not to be her last, James assures us.
London. Macmillan . 1886. 419p.
By Charles Dickens
From Wikipedia: “In 1859 Dickens founded a new journal called All the Year Round, and the "Uncommercial Traveller" articles would be among his main contributions. He seems to have chosen the title and persona of the Uncommercial Traveller as a result of a speech he gave on 22 December 1859 to the Commercial Travellers' School in London,[1] in his role as honorary chairman and treasurer. The persona sits well with a writer who liked to travel, not only as a tourist, but also to research and report what he found visiting Europe, America and giving book readings throughout Britain. He did not seem content to rest late in his career when he had attained wealth and comfort and continued travelling locally, walking the streets of London in the mould of the flâneur, a "gentleman stroller of city streets". He often suffered from insomnia and his night-time wanderings gave him an insight into some of the hidden aspects of Victorian London, details of which he also incorporated into his novels.”
London: Chapman & Hall, Ld. New York: Charles Scribner’s Sons. 1905. 370p.
By Charles Dickens
The opening of “A Christman story”. I have been looking on, this evening, at a merry company of children assembled round that pretty German toy, a Christmas Tree. The tree was planted in the middle of a great round table, and towered high above their heads. It was brilliantly lighted by a multitude of little tapers; and everywhere sparkled and glittered with bright objects. There were rosy-cheeked dolls, hiding behind the green leaves; and there were real watches (with movable hands, at least, and an endless capacity of being wound up) dangling from innumerable twigs; there were French-polished tables, chairs, bedsteads, wardrobes, eight-day clocks, and various other articles of domestic furniture (wonderfully made, in tin, at Wolverhampton), perched among the boughs, as if in preparation for some fairy housekeeping; there were jolly, broad-faced little men, much more agreeable in appearance than many real men—and no wonder, for their heads took off, and showed them to be full of sugar-plums; there were fiddles and drums; there were tambourines, books, work-boxes, paint-boxes, sweetmeat-boxes, peep-show boxes, and all kinds of boxes; there were trinkets for the elder girls, far brighter than any grown-up gold and jewels; there were baskets and pincushions in all devices; there were guns, swords, and banners; there were witches standing in enchanted rings of pasteboard, to tell fortunes; there were teetotums, humming-tops, needle-cases, pen-wipers, smelling-bottles, conversation-cards, bouquet-holders; real fruit, made artificially dazzling with gold leaf; imitation apples, pears, and walnuts, crammed with surprises; in short, as a pretty child, before me, delightedly whispered to another pretty child, her bosom friend, “There was everything, and more.” This motley collection of odd objects, clustering on the tree like magic fruit, and flashing back the bright looks directed towards it from every side—some of the diamond-eyes admiring it were hardly on a level with the table, and a few were languishing in timid wonder on the bosoms of pretty mothers, aunts, and nurses—made a lively realisation of the fancies of childhood; and set me thinking how all the trees that grow and all the things that come into existence on the earth, have their wild adornments at that well-remembered time.
London. Chapman and Hall Christmas Stories edition, Volume 1, 1911. 69p.
By Charles Dickens
From Wikipedia. Nicholas Nickleby, or The Life and Adventures of Nicholas Nickleby, is the third novel by Charles Dickens, originally published as a serial from 1838 to 1839. The character of Nickleby is a young man who must support his mother and sister after his father dies.
London. Chapman and Hall. 1839. 954p.
By Charles Dickens
From Wikipedia: Our Mutual Friend, written in 1864–1865, is the last novel completed by Charles Dickens and is one of his most sophisticated works, combining savage satire with social analysis. It centres on, in the words of critic J. Hillis Miller, quoting the book's character Bella Wilfer, "money, money, money, and what money can make of life".[1]
Most reviewers in the 1860s continued to praise Dickens's skill as a writer in general, but did not review this novel in detail. Some found the plot both too complex and not well laid out.[2] The Times of London found the first few chapters did not draw the reader into the characters. In the 20th century, however, reviewers began to find much to approve in the later novels of Dickens, including Our Mutual Friend.[3] In the late 20th and early 21st centuries, some reviewers suggested that Dickens was, in fact, experimenting with structure,[4][5] and that the characters considered somewhat flat and not recognized by the contemporary reviewers[6] were meant rather to be true representations of the Victorian working class and the key to understanding the structure of the society depicted by Dickens in the novel.[6][7]
London. Chapman & Hall. 1865. 970p.
By Charles Dickens
From Wikipedia: Little Dorrit is a novel by Charles Dickens, originally published in serial form between 1855 and 1857. The story features Amy Dorrit, youngest child of her family, born and raised in the Marshalsea prison for debtors in London. Arthur Clennam encounters her after returning home from a 20-year absence, ready to begin his life anew.
The novel satirises some shortcomings of both government and society, including the institution of debtors' prisons, where debtors were imprisoned, unable to work and yet incarcerated until they had repaid their debts. The prison in this case is the Marshalsea, where Dickens's own father had been imprisoned. Dickens is also critical of the impotent bureaucracy of the British government, in this novel in the form of the fictional "Circumlocution Office". Dickens also satirises the stratification of society that results from the British class system.
Bradbury and Evans. 1857. 995p.
By Charles Dickens
From Wikipedia: “Hard Times: For These Times (commonly known as Hard Times) is the tenth novel by Charles Dickens, first published in 1854. The book surveys English society and satirises the social and economic conditions of the era. Hard Times is unusual in several ways. It is by far the shortest of Dickens's novels, barely a quarter of the length of those written immediately before and after it.[1] Also, unlike all but one of his other novels, Hard Times has neither a preface nor illustrations. Moreover, it is his only novel not to have scenes set in London.[1] Instead the story is set in the fictitious Victorian industrial Coketown, a generic Northern English mill-town, in some ways similar to Manchester, though smaller. Coketown may be partially based on 19th-century Preston. One of Dickens's reasons for writing Hard Times was that sales of his weekly periodical Household Words were low, and it was hoped the novel's publication in instalments would boost circulation – as indeed proved to be the case. Since publication it has received a mixed response from critics.
London. Chapman and Hal. 1905. 304p.