By Henry James

The Bostonians is a novel by Henry James, first published as a serial in The Century Magazine in 1885–1886 and then as a book in 1886. This bittersweet tragicomedycentres on an odd triangle of characters: Basil Ransom, a political conservative from Mississippi; Olive Chancellor, Ransom's cousin and a Boston feminist; and Verena Tarrant, a pretty, young protégée of Olive's in the feminist movement. The storyline concerns the struggle between Ransom and Olive for Verena's allegiance and affection, though the novel also includes a wide panorama of political activists, newspaper people, and quirky eccentrics.

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  Henry James originally entered into an agreement with the Boston publisher James R. Osgood & Co. to publish the book in the United States for $4,000. Osgood made a separate agreement with The Century for the magazine to serialize the novel. In May 1885, before the serialization had finished and James had been paid any of the money owed to him, Osgood's firm went bankrupt.[1] James was able to recover part of the lost sum by selling the copyright to Macmillan and Co., which published The Bostonians in a three-volume edition in Britain in February 1886, and in a one-volume edition in the US in May 1886.[1] James was not, however, able to recover any money for the serialization in The Century.[2]

• Plot...

  Mississippi lawyer and Civil War veteran, Basil Ransom, visits his cousin Olive Chancellor in Boston. She takes him to a political meeting where Verena Tarrant delivers a feminist speech. Ransom, a strong conservative, is annoyed by the speech but fascinated with the speaker. Olive, who never has set eyes on Verena, is equally fascinated. She persuades Verena to leave her parents' house, move in with her and study in preparation for a career in the feminist movement. Meanwhile, Ransom returns to his law practice in New York, which is not doing well. He visits Boston again and walks with Verena through the grounds of Harvard College, including the impressive Civil War Memorial Hall. Verena finds herself attracted to the charismatic Ransom. Basil eventually proposes to Verena, much to Olive's dismay. Olive has arranged for Verena to speak at the Boston Music Hall. Ransom shows up at the hall just before Verena is scheduled to begin her speech. He persuades Verena to elope with him, to the discomfiture of Olive and her fellow-feminists. The final sentence of the novel shows Verena in tears – not to be her last, James assures us.

London. Macmillan . 1886. 419p.

By Charles Dickens

From Wikipedia: “In 1859 Dickens founded a new journal called All the Year Round, and the "Uncommercial Traveller" articles would be among his main contributions. He seems to have chosen the title and persona of the Uncommercial Traveller as a result of a speech he gave on 22 December 1859 to the Commercial Travellers' School in London,[1] in his role as honorary chairman and treasurer. The persona sits well with a writer who liked to travel, not only as a tourist, but also to research and report what he found visiting Europe, America and giving book readings throughout Britain. He did not seem content to rest late in his career when he had attained wealth and comfort and continued travelling locally, walking the streets of London in the mould of the flâneur, a "gentleman stroller of city streets". He often suffered from insomnia and his night-time wanderings gave him an insight into some of the hidden aspects of Victorian London, details of which he also incorporated into his novels.”

London: Chapman & Hall, Ld. New York: Charles Scribner’s Sons. 1905. 370p.

By Charles Dickens

The opening of “A Christman story”. I have been looking on, this evening, at a merry company of children assembled round that pretty German toy, a Christmas Tree.  The tree was planted in the middle of a great round table, and towered high above their heads.  It was brilliantly lighted by a multitude of little tapers; and everywhere sparkled and glittered with bright objects.  There were rosy-cheeked dolls, hiding behind the green leaves; and there were real watches (with movable hands, at least, and an endless capacity of being wound up) dangling from innumerable twigs; there were French-polished tables, chairs, bedsteads, wardrobes, eight-day clocks, and various other articles of domestic furniture (wonderfully made, in tin, at Wolverhampton), perched among the boughs, as if in preparation for some fairy housekeeping; there were jolly, broad-faced little men, much more agreeable in appearance than many real men—and no wonder, for their heads took off, and showed them to be full of sugar-plums; there were fiddles and drums; there were tambourines, books, work-boxes, paint-boxes, sweetmeat-boxes, peep-show boxes, and all kinds of boxes; there were trinkets for the elder girls, far brighter than any grown-up gold and jewels; there were baskets and pincushions in all devices; there were guns, swords, and banners; there were witches standing in enchanted rings of pasteboard, to tell fortunes; there were teetotums, humming-tops, needle-cases, pen-wipers, smelling-bottles, conversation-cards, bouquet-holders; real fruit, made artificially dazzling with gold leaf; imitation apples, pears, and walnuts, crammed with surprises; in short, as a pretty child, before me, delightedly whispered to another pretty child, her bosom friend, “There was everything, and more.”  This motley collection of odd objects, clustering on the tree like magic fruit, and flashing back the bright looks directed towards it from every side—some of the diamond-eyes admiring it were hardly on a level with the table, and a few were languishing in timid wonder on the bosoms of pretty mothers, aunts, and nurses—made a lively realisation of the fancies of childhood; and set me thinking how all the trees that grow and all the things that come into existence on the earth, have their wild adornments at that well-remembered time.

London. Chapman and Hall Christmas Stories edition, Volume 1, 1911. 69p.

By Charles Dickens

From Wikipedia. Nicholas Nickleby, or The Life and Adventures of Nicholas Nickleby, is the third novel by Charles Dickens, originally published as a serial from 1838 to 1839. The character of Nickleby is a young man who must support his mother and sister after his father dies.

London. Chapman and Hall. 1839. 954p.

By Charles Dickens

From Wikipedia: Our Mutual Friend, written in 1864–1865, is the last novel completed by Charles Dickens and is one of his most sophisticated works, combining savage satire with social analysis. It centres on, in the words of critic J. Hillis Miller, quoting the book's character Bella Wilfer, "money, money, money, and what money can make of life".[1]

Most reviewers in the 1860s continued to praise Dickens's skill as a writer in general, but did not review this novel in detail. Some found the plot both too complex and not well laid out.[2] The Times of London found the first few chapters did not draw the reader into the characters. In the 20th century, however, reviewers began to find much to approve in the later novels of Dickens, including Our Mutual Friend.[3] In the late 20th and early 21st centuries, some reviewers suggested that Dickens was, in fact, experimenting with structure,[4][5] and that the characters considered somewhat flat and not recognized by the contemporary reviewers[6] were meant rather to be true representations of the Victorian working class and the key to understanding the structure of the society depicted by Dickens in the novel.[6][7]

London. Chapman & Hall. 1865. 970p.

By Charles Dickens

From Wikipedia: Little Dorrit is a novel by Charles Dickens, originally published in serial form between 1855 and 1857. The story features Amy Dorrit, youngest child of her family, born and raised in the Marshalsea prison for debtors in London. Arthur Clennam encounters her after returning home from a 20-year absence, ready to begin his life anew.

The novel satirises some shortcomings of both government and society, including the institution of debtors' prisons, where debtors were imprisoned, unable to work and yet incarcerated until they had repaid their debts. The prison in this case is the Marshalsea, where Dickens's own father had been imprisoned. Dickens is also critical of the impotent bureaucracy of the British government, in this novel in the form of the fictional "Circumlocution Office". Dickens also satirises the stratification of society that results from the British class system.

Bradbury and Evans. 1857. 995p.

By Charles Dickens

From Wikipedia: “Hard Times: For These Times (commonly known as Hard Times) is the tenth novel by Charles Dickens, first published in 1854. The book surveys English society and satirises the social and economic conditions of the era. Hard Times is unusual in several ways. It is by far the shortest of Dickens's novels, barely a quarter of the length of those written immediately before and after it.[1] Also, unlike all but one of his other novels, Hard Times has neither a preface nor illustrations. Moreover, it is his only novel not to have scenes set in London.[1] Instead the story is set in the fictitious Victorian industrial Coketown, a generic Northern English mill-town, in some ways similar to Manchester, though smaller. Coketown may be partially based on 19th-century Preston. One of Dickens's reasons for writing Hard Times was that sales of his weekly periodical Household Words were low, and it was hoped the novel's publication in instalments would boost circulation – as indeed proved to be the case. Since publication it has received a mixed response from critics.

London. Chapman and Hal. 1905. 304p.

By Charles Dickens

From Wikipedia: “The story concerns Paul Dombey, the wealthy owner of the shipping company of the book's title, whose dream is to have a son to continue his business. The book begins when his son is born and Dombey's wife dies shortly after giving birth. Following the advice of Mrs Louisa Chick, his sister, Dombey employs a wet nurse named Mrs Richards (Toodle). Dombey already has a six-year-old daughter Florence, but, bitter at her not having been the desired boy, he neglects her continually. One day, Mrs Richards, Florence, and her maid, Susan Nipper, secretly pay a visit to Mrs Richards' house in Staggs's Gardens so that Mrs Richards can see her children. During this trip, Florence becomes separated from them and is kidnapped for a short time by Good Mrs Brown, before being returned to the streets. She makes her way to Dombey and Son's offices in the City and there is found and brought home by Walter Gay, an employee of Mr Dombey, who first introduces her to his uncle, the navigation instrument maker Solomon Gills, at his shop The Wooden Midshipman. The child, named Paul after his father, is a weak and sickly child….”

London. Bradbury & Evans. 1848.

By Charles Dickens

From Wikipedia: “Like nearly all of Dickens's novels, Martin Chuzzlewit was first published in monthly instalments. Early sales of the monthly parts were lower than those of previous works, so Dickens changed the plot to send the title character to the United States.[3] Dickens had visited America in 1842 in part as a failed attempt to get the US publishers to honour international copyright laws. He satirized the country as a place filled with self-promoting hucksters, eager to sell land sight unseen. In later editions, and in his second visit 24 years later to a much-changed US, he made clear it was satire and not a balanced image of the nation in a speech and then included that speech in all future editions. The main theme of the novel, according to Dickens's preface, is selfishness, portrayed in a satirical fashion using all the members of the Chuzzlewit family. The novel is also notable for two of Dickens's great villains, Seth Pecksniff and Jonas Chuzzlewit. Dickens introduced the first private detective character in this novel.”

By Charles Dickens

“…When he came therefore to think of his new story for Christmas time, he resolved to make it a plea for the poor ... He was to try and convert Society, as he had converted Scrooge, by showing that its happiness rested on the same foundations as those of the individual, which are mercy and charity not less than justice…” (Wikipedia)

Chapman and Hall. 1844. 175p.

By Charles Dickens

From the Preface: “The late Mr Waterton having, some time ago, expressed his opinion that ravens are gradually becoming extinct in England, I offered the few following words about my experience of these birds. The raven in this story is a compound of two great originals, of whom I was, at different times, the proud possessor. The first was in the bloom of his youth, when he was discovered in a modest retirement in London, by a friend of mine, and given to me. He had from the first, as Sir Hugh Evans says of Anne Page, ‘good gifts’, which he improved by study and attention in a most exemplary manner. He slept in a stable—generally on horseback —and so terrified a Newfoundland dog by his preternatural sagacity, that he has been known, by the mere superiority of his genius, to walk off unmolested with the dog’s dinner, from before his face…”

London Chapmwn Hall. 1870. 770p

From the Cover: In this, his most famous book, Genet charts his progress through Europe and the 1930s in rags, hunger, contempt, fatigue and vice. Spain, Italy, Austria, Czechoslovakia, Poland, Nazi Germany, Belgium . . . everywhere the pattern is the same: bars, dives, flop-houses; robbery, prison and expulsion. This is a voyage of discovery beyond all moral laws; the expression of a philosophy of perverted vice, the working out of an aesthetic of degradation. The cover shows 'Head on Stand' (1947)b y Alberto Giacometti, in the Maeght Collection.

London. Penguin Classics. 1950s? THIS BOOK CONTAINS MARK-UP

By Daphne Du Maurier

"My Cousin Rachel" is a novel written by Daphne du Maurier, a British author known for her Gothic and romantic suspense novels. The novel was first published in 1951 and is set in 19th-century Cornwall, England.

The story follows the character of Philip Ashley, a young man who is raised by his cousin Ambrose on their estate in Cornwall. When Ambrose travels to Italy for his health and falls in love with their distant cousin Rachel, Philip is initially suspicious of her motives. After Ambrose's sudden death, Philip inherits his estate and becomes increasingly obsessed with Rachel, who comes to visit him in Cornwall.

The novel is a blend of mystery, romance, and psychological drama, as Philip tries to uncover the truth about Rachel's involvement in Ambrose's death and struggles with his conflicting feelings for her.

London. Gollancz. 1951. 221p.

By Patrick White

"The Aunt's Story" is a novel written by Patrick White, an Australian author who was awarded the Nobel Prize in Literature in 1973. It was first published in 1948 and is considered one of White's most significant works.

The novel follows the character of Theodora Goodman, a woman who feels out of place in her conventional middle-class Australian upbringing. She travels to Europe to find a sense of purpose and belonging, but struggles to find her place in the world. The story is told through a series of interconnected vignettes, exploring Theodora's inner thoughts and perceptions of the world around her.

"The Aunt's Story" is noted for its lyrical and poetic writing style, as well as its exploration of themes such as identity, self-discovery, and the search for meaning in life. The novel is also notable for its use of symbolism and metaphor, which are used to explore Theodora's psychological journey.

Mitcham, Austalia. Penguin. 1953

By Nevil Shute

"On the Beach" is a post-apocalyptic novel written by Nevil Shute, a British-Australian author. It was first published in 1957 and is set in the aftermath of a global nuclear war that has destroyed most of the northern hemisphere.

The story takes place in Melbourne, Australia, which has been spared from the immediate effects of the war due to its southern location. However, as the radiation from the northern hemisphere begins to spread southward, the people of Melbourne realize that their time is running out.

The novel follows a group of characters, including an American submarine captain, a young Australian woman, and a scientist, as they confront their mortality and the inevitability of their impending deaths. The story explores themes of hope, despair, and the futility of war.

London Heinemann. 1957. 310p.

By Robert Harris

"Pompeii" is a historical novel written by Robert Harris, a British author. It was published in 2003 and is set in ancient Rome, specifically during the final days of Pompeii before the eruption of Mount Vesuvius in 79 AD.

The novel follows the character of Marcus Attilius, a young aqueduct engineer who is sent to Pompeii to investigate the sudden loss of water in the city's aqueduct system. Attilius soon discovers that the problem is due to a blockage caused by the eruption of Mount Vesuvius. As the eruption intensifies, Attilius becomes embroiled in a race against time to save the citizens of Pompeii from the impending disaster.

The story is a mix of historical fiction and thriller, with vivid descriptions of life in ancient Rome and the eruption of Mount Vesuvius. The novel is also notable for its accurate depiction of the engineering and technological innovations of the ancient Roman empire, particularly with regard to the aqueduct system.

London. Hutchinson. 2003. 347p.

By Bryce Courtenay

"The Potato Factory" is a novel written by Bryce Courtenay, an Australian author. It was published in 1995 and is the first book in a trilogy, followed by "Tommo & Hawk" and "Solomon's Song".

The novel is set in the mid-19th century and follows the life of Ikey Solomon, a notorious London criminal who is arrested and transported to Australia. There, he becomes involved in the potato trade, opening a factory to process and export potatoes to England.

The story also focuses on the relationship between Ikey and his wife, Hannah, who remains in London and eventually joins him in Australia. It explores the themes of survival, redemption, and the struggle for power and control.

Penguin Random House. 1995. 696p.

By Jock Serong

"Preservation" is a historical fiction novel by Australian author Jock Serong, first published in 2018. The novel is based on the true story of the wreck of the Sydney Cove, a British merchant ship that was carrying a cargo of spirits and supplies from Calcutta to the fledgling colony of Sydney in 1797.

The novel tells the story of the survivors of the wreck, who find themselves stranded on the coast of present-day Victoria, Australia. The group includes the ship's captain, a pair of American sailors, an Irish convict, and a group of Chinese traders. They are forced to endure hunger, thirst, and the harsh Australian wilderness as they try to make their way back to civilization.

The novel is a vivid and atmospheric portrayal of early colonial life in Australia, and is notable for its detailed research and historical accuracy. Serong draws on a range of historical sources to create a nuanced and complex picture of the social, political, and economic forces at play in colonial Australia, as well as the experiences of the different groups of people who were involved in the colony's development.

Melbourne Aust. Text Publishing. 2018. 364.p

By Daphne du Maurier

"Rebecca" is a novel by British author Daphne du Maurier, first published in 1938. The novel is a gothic romance and psychological thriller that tells the story of an unnamed young woman who marries a wealthy widower, Maxim de Winter, and moves into his estate, Manderley.

The new Mrs. de Winter soon realizes that the shadow of Maxim's first wife, Rebecca, who died in mysterious circumstances, still looms large over the house and its inhabitants. She feels like an outsider in her own home and is haunted by the memory of Rebecca, who was beautiful, charismatic, and seemingly perfect. As she tries to uncover the truth about Rebecca's death, the new Mrs. de Winter becomes entangled in a web of deceit, jealousy, and danger.

The novel is known for its vivid descriptions of the English countryside, its atmospheric portrayal of Manderley, and its exploration of themes such as love, identity, jealousy, and the nature of truth. It has been adapted into several films, stage productions, and a television series, and is considered one of du Maurier's most popular and enduring works.

London. Gollancz. 1936. 283p.

By Stephen Crane

"The Red Badge of Courage" is a novel by American author Stephen Crane, first published in 1895. The story is set during the American Civil War and follows the experiences of a young soldier named Henry Fleming.

At the beginning of the novel, Henry is eager to enlist in the Union Army and fight in the war, believing that it will be a grand adventure. However, as he experiences the realities of battle and witnesses the horrors of war, his idealism begins to crumble and he becomes consumed by fear and doubt.

Throughout the novel, Henry struggles with feelings of cowardice and shame, as he witnesses other soldiers being wounded and killed in battle. However, he eventually finds the courage to face his fears and fight alongside his comrades.

The novel is known for its vivid portrayal of the psychological effects of war on soldiers, as well as its realistic depiction of the chaos and brutality of battle. It also explores themes of courage, honor, and the nature of heroism.

Mineola. NY. Dover Thrift Editions. 1990. 101p.