By Dick Donovan (Author), Colin Heston (Introduction)

From the shadowed corridors of imperial power to the hidden networks of revolution and intrigue, The Russian Assassin and Other Bond-Like Stories by Dick Donovan delivers a gripping collection of high-stakes crime fiction that bridges the worlds of classic detection and early espionage.

At the heart of this volume is the unforgettable tale of Egor Treskin—a hunted man, a political exile, and an avenger forged by injustice. When a powerful Russian official is assassinated under mysterious circumstances, the pursuit that follows stretches across borders, drawing in spies, informants, and detectives in a tense international manhunt. But as the truth unfolds, the question becomes unavoidable: is Treskin a cold-blooded killer, or the product of a brutal and oppressive system?

Surrounding this powerful opening narrative are a series of equally compelling stories—ingenious schemes, daring conspiracies, and criminal plots that hinge on deception, chance, and razor-sharp intelligence. Donovan’s storytelling combines vivid atmosphere with tightly constructed mysteries, while anticipating the global intrigue and psychological complexity that would later define modern spy fiction.

Written at a time when political unrest, anarchist movements, and international surveillance were reshaping the nature of crime, these stories feel strikingly contemporary. Disguises, coded messages, secret alliances, and relentless pursuit drive narratives that move from the streets of Britain to the shadowy machinery of foreign powers.

This Read-Me.Org edition, introduced by Graeme R. Newman, brings together these thrilling and thought-provoking tales in a carefully prepared modern format. It preserves the energy of Donovan’s original storytelling while highlighting its lasting relevance to readers of crime, history, and espionage fiction.

For fans of classic detectives, early spy thrillers, and authors like Arthur Conan Doyle and Edgar Wallace, The Russian Assassin and Other Bond-Like Stories offers a rare and compelling glimpse into the origins of modern crime fiction—where justice is uncertain, motives are complex, and danger is never far from view.

A classic collection of intrigue, intelligence, and international suspense.

.Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 269 p.

By Dick Donovan. Introduction by Graeme R. Newman

A brilliant mind. A new way of solving crime. A detective unlike any other.

In The Criminologist as Detective, Victorian master storyteller Dick Donovan introduces Fabian Field—a daring and unconventional investigator who challenges the limits of traditional policing. At a time when Scotland Yard relies on routine methods and rigid procedures, Field brings something radically different to the pursuit of justice: psychological insight, analytical daring, and a fearless willingness to follow reason wherever it leads.

This collection of gripping detective stories showcases some of Field’s most remarkable cases, from the sensational disappearance of a wealthy heiress to chilling murders concealed behind layers of deception. Each mystery unfolds with vivid drama, but what sets these stories apart is their intellectual edge. Field does not simply gather clues—he interprets human behavior, exposes hidden motives, and reconstructs crime through logic, intuition, and bold inference.

Blending suspense with early criminological thinking, Donovan’s stories anticipate the modern detective genre while retaining the atmosphere and richness of late nineteenth-century fiction. Here, crime is not merely a puzzle to be solved, but a window into the complexities of human nature—greed, ambition, fear, and betrayal.

This new Read-Me.Org edition, introduced by Graeme R. Newman, brings these classic tales to contemporary readers in a carefully prepared and accessible form, preserving their original energy while highlighting their lasting significance.

For readers of Sherlock Holmes, Edgar Wallace, and classic detective fiction, The Criminologist as Detective offers a compelling journey into the origins of modern crime-solving—where reason triumphs, perception sharpens, and every case is a battle of minds.

A classic reborn for a new generation of readers.

.Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 273 p.

by Dick Donovan (Author), Colin Heston (Introduction)

See all formats and editions

In an age before forensic certainty and tidy solutions, crime was a shadowy affair—driven by passion, greed, jealousy, and chance. In Mysteries of Death and Poison, Dick Donovan—one of the great pioneers of detective fiction—invites readers into a world where truth is elusive and justice is never guaranteed.

These gripping tales range from domestic intrigue to international adventure, from quiet drawing rooms to perilous frontiers. A young woman vanishes into scandal and suspicion. A death by poison defies explanation. A secret, buried in the wreckage of empire, threatens to surface with deadly consequences. Across each story, Donovan’s investigators confront not only cunning criminals, but the deeper uncertainties of human motive and moral responsibility.

Unlike the neatly solved puzzles of later detective fiction, these mysteries resist easy answers. Evidence is incomplete, witnesses unreliable, and the line between guilt and innocence dangerously blurred. The result is a collection that is as unsettling as it is compelling—where the question is not merely who committed the crime, but whether the truth can ever be fully known.

Vivid, atmospheric, and remarkably modern in its psychological insight, Mysteries of Death and Poison reveals the origins of the detective genre while challenging its assumptions. These are stories that linger—haunting in their ambiguity, and unforgettable in their portrayal of a world where justice is uncertain and danger is never far from the surface

.Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 273 p.

by Dick Donovan (Author), Graeme Newman (Introduction)

Long before the age of international spies, high-tech surveillance, and cinematic intrigue, there was the detective—patient, methodical, and relentless in the pursuit of truth.

Before 007 brings together a powerful collection of classic crime stories from the late Victorian era, drawn from A Detective’s Triumphs and In the Grip of the Law. These tales capture the origins of modern detective fiction, where every clue matters, every motive counts, and justice depends not on force, but on reason.

In these pages, readers will encounter murders concealed by cunning, thefts executed with precision, and criminals undone by the smallest of details—a footprint, a gesture, a forgotten inconsistency. The detectives who pursue them rely not on gadgets or spectacle, but on observation, logic, and experience. Their world is one of gaslit streets, quiet drawing rooms, and hidden dangers beneath respectable society.

This new edition has been carefully modernized for today’s reader. Language has been streamlined, structure clarified, and pacing refined—while preserving the distinctive voice and atmosphere of the original texts. The result is a collection that reads with clarity and immediacy, yet retains the depth and character of its time.

More than historical curiosities, these stories reveal the foundations of the modern whodunnit. The techniques, tensions, and narrative strategies that define contemporary crime fiction are already present here in their earliest form.

For readers of classic mysteries, criminology, and detective fiction—from Sherlock Holmes to modern thrillers—Before 007offers a compelling return to where it all began.

Step into the world of detection—before the spy, before the spectacle—when solving the crime was the story.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 272 p.

by Dick Donovan (Author), Colin Heston (Introduction)

Investigating Terror – More Stories of Dick Donovan gathers a wide-ranging collection of late Victorian crime and mystery tales in which detection merges with dread and rational inquiry confronts the unknown. In these stories, investigation is never merely the solving of a puzzle; it is an encounter with uncertainty, where crime, psychology, and the uncanny are tightly entwined.

From the eerie Edinburgh mystery of The Clue of the Dead Hand to the unsettling medical case of The Woman with the ‘Oily Eyes’, Donovan leads readers through gripping narratives told by detectives, physicians, and eyewitnesses. Presented through layered forms—official records, personal testimonies, and recovered papers—these stories achieve a striking sense of immediacy while deepening their atmosphere of unease. Whether confronting spectral legends, violent crimes, or inexplicable events, Donovan’s investigators move through worlds in which logic alone cannot fully account for what they encounter.

Spanning settings from Britain to continental Europe and beyond, these tales reveal a writer of remarkable versatility and imaginative reach. Rich in suspense, gothic tension, and psychological insight, they anticipate many of the themes of modern crime and horror fiction while retaining the vivid drama of their time.

This edition is enhanced by a substantial introduction by Colin Heston, which situates Donovan’s work within the broader evolution of detective and terror fiction and explores its continuing relevance for contemporary readers. Together, the stories and introduction offer both a compelling reading experience and a deeper understanding of a formative moment in the history of crime literature.

For readers of classic mysteries, gothic fiction, and early detective stories, Investigating Terror is an essential rediscovery—where every investigation opens onto something darker, and every answer leads further into the unknown.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 248 p.

By Hugh Clifford.. Introduction by Graeme Newman

The East African Campaign of the First World War remains one of the most demanding and least understood theatres of that global conflict. Far removed from the trenches of Europe, it unfolded across vast expanses of dense bush, swamps, mountains, and savannah—lands where climate, terrain, and disease were often deadlier adversaries than the enemy’s rifles. In this harsh environment, the soldiers of the Gold Coast Regiment distinguished themselves with a fortitude and endurance that earned them a lasting place in the annals of imperial military history.

The Gold Coast Regiment, drawn predominantly from the peoples of West Africa and led by British officers, brought to East Africa a unique blend of discipline, adaptability, and martial tradition. Their participation in the long pursuit of General Paul von Lettow‑Vorbeck’s elusive Schutztruppe represented both a severe test of their abilities and a defining moment in their collective identity. The campaign demanded not only courage under fire but also the capacity to march extraordinary distances, survive with minimal supplies, and maintain cohesion amid the ravages of tropical disease and the unpredictable rhythms of guerrilla warfare.

Sir Hugh Clifford, K.C.M.G.—administrator, colonial governor, and a man deeply familiar with West Africa—brings a rare perspective to this narrative. His closeness to the region and its peoples lends the work a depth of understanding that extends beyond the purely military. Clifford’s account is not merely a chronicle of battles and maneuvers; it is also a tribute to the character, loyalty, and steadfastness of the African soldiers who served with such distinction. He illuminates how, in the face of profound hardship, these men forged bonds of trust and cooperation with their officers, contributing decisively to the eventual success of British and Allied arms in the region.

This book therefore stands as both a historical record and a testament—an effort to ensure that the bravery and sacrifices of the Gold Coast Regiment are neither forgotten nor overshadowed by more widely known campaigns. In revisiting their story, readers gain insight not only into a pivotal chapter of African military history but also into the wider, often overlooked global dimensions of the First World War. The narrative that follows invites us to honour the endurance, resilience, and unyielding spirit of a regiment that marched far from home and left an indelible mark on the course of the war in Africa.

Edited by Graeme R. Newman

Step out of the shadow of 221B Baker Street and into the gaslit world of the "Great Detectives."

While Sherlock Holmes reigned supreme in the pages of The Strand, he was far from the only mind at work in the fog-choked streets of Victorian London. "Beyond Sherlock Holmes: The Rivals, Rogues, and Rationalists of the Golden Age" is a definitive collection of public domain masterpieces that defined the evolution of the modern thriller.

From the "ratiocination" of Edgar Allan Poe to the forensic laboratories of Dr. Thorndyke, this anthology gathers the brilliant specialists who refined, subverted, and occasionally haunted the detective genre. These are the stories that gave Holmes his fiercest competition—characters who used logic, science, and even the occult to solve the "impossible."

Inside this collection, you will discover:

• The Forensic Pioneers: Join Dr. Thorndyke as he utilizes the first true "mobile crime lab" to solve murders through microscopic analysis.

• The Logic Masters: Witness The Thinking Machine prove that "two and two make four" by thinking his way out of an inescapable prison cell.

• The Shadow Detectives: Meet Max Carrados, the blind investigator whose heightened senses allow him to observe truths that even Holmes would miss.

• The Occult Investigators: Follow Thomas Carnacki as he bridges the gap between science and the supernatural to hunt "monsters" through the lens of logic.

• The Mastermind Villains: Face the terrifying ambition of Dr. Nikola, the Victorian "supervillain" whose global reach predates Bond villains by half a century.

• The Gentleman Thieves: Cross the line with A.J. Raffles and Arsène Lupin, the brilliant "cracksmen" who prove that the detective’s mind is just as effective when applied to the perfect heist.

A Must-Have for Fans of Classic Mystery

Whether you are a scholar of criminology or a lover of "Victorian Shockers," this volume offers a panoramic view of an era defined by gaslight, cobblestones, and the birth of forensic science. Curated with an extensive introduction detailing the history and impact of these "Rivals of Sherlock," this book is more than a collection—it is a journey through the evolution of the human mind at work.

Stories included in this edition: THE MURDERS IN THE RUE MORGUE, Edgar Allan Poe-- THE CASE OF LAKER, ABSCONDED, Arthur Morrison-- THE CASE OF THE DIXON TORPEDO, Arthur Morrison-- THE PROBLEM OF CELL 13, Jacques Futrelle-- THE SILENT BULLET, Austin Freeman-- THE COIN OF DIONYSIUS, Ernest Bramah-- THE GATEWAY OF THE MONSTER, Wiliam Hope Hodgson-- THE RED LODGE, Russell Wakefield-- THE ADVENTURE OF THE SPECKLED BAND, Arthur Conan Doyle-- THE IDES OF MARCH, E.W.Hornung-- THE ARREST OF ARSÈNE LUPIN, Maurice Leblanc.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 330p.

 SCOTLAND YARD AND BEYOND

By Edgar Wallace. Edited and introduced by Graeme R. Newman

From the shadowed streets of London to the secret worlds of spies and master criminals, Edgar Wallace delivers the kind of high-speed storytelling that made him one of the most widely read writers of his age.

The Spies and Criminals of Edgar Wallace — Volume 1 gathers a thrilling selection of Wallace’s most entertaining tales of intrigue, deception, and daring adventure. Within these pages readers encounter brilliant detectives, elusive thieves, secret societies, and dangerous conspiracies that challenge the keenest minds of Scotland Yard. Each story unfolds with Wallace’s trademark pace—swift, suspenseful, and filled with surprising twists.

A master of popular fiction, Wallace combined sharp dialogue, vivid characters, and ingenious plots to create stories that remain as gripping today as when they first captivated readers in the early twentieth century.

This exciting new edition invites modern readers to rediscover a classic voice of crime fiction and experience the suspense, wit, and adventure that made Edgar Wallace a legend of the thriller.

By Arthur Train. Introduction by Graeme R. Newman

The transition of the American legal system from the rough-and-tumble nineteenth century into the more structured, investigative era of the early twentieth century is nowhere more vividly captured than in Arthur Train’s True Stories of Crime from the District Attorney’s Office. As an Assistant District Attorney for New York County during a period of rapid urbanization and social upheaval, Train occupied a unique vantage point that allowed him to witness the collision of old-world criminal archetypes with the emerging complexities of modern life. This collection of narratives serves as a clinical yet deeply compelling autopsy of the era’s most notorious legal battles, offering readers a rare glimpse into the machinery of justice at a time when forensic science was in its infancy and the power of the prosecutor’s office was expanding into new, uncharted territories.

Train’s work is particularly significant for its early exploration of what would eventually be termed white-collar crime. While the public imagination of 1908 was often captured by tales of blunt violence and physical daring, Train directs his focus toward the "super-criminal"—the manipulative mastermind who utilized the administrative and financial structures of the city as their primary tools of exploitation. Through these accounts, we see the emergence of a new kind of threat that required a equally sophisticated response from the legal establishment. Train describes a landscape where economic desperation and social isolation were the primary drivers of criminal behavior, yet he also highlights the systemic vulnerabilities that allowed institutional fraud to flourish. By documenting these cases, he provides a foundation for the study of victimology, illustrating how the legal system often struggled to keep pace with the evolving ingenuity of those who sought to undermine it.

Beyond their historical and legal value, these stories possess a narrative vitality that reflects the tension between the sensationalism of early tabloid journalism and the rigorous demands of the courtroom. Train’s prose is informed by his experiences on the front lines of the District Attorney’s office, where the outcome of a trial often hinged as much on rhetorical flair and personal intuition as it did on physical evidence. In revisiting these cases today, we are invited to consider the persistent challenges of defining and delivering justice within a complex bureaucracy. Train does not shy away from the moral ambiguities of his profession, and his reflections on the nature of guilt and the limitations of the law remain strikingly relevant. This volume stands not only as a record of forgotten crimes but as an enduring meditation on the social fabric of a metropolis in flux, capturing the moment when the modern era of criminal justice truly began.

Read-Me.Org Inc. 2026. 184p.

By S. Carleton. Introduction by Colin Heston.

The 1920 publication of The La Chance Mine Mystery by S. Carleton, the pseudonym for Susan Morrow Jones, represents a pivotal moment in the evolution of the North American thriller. By weaving the Victorian Gothic tradition into the rugged landscape of the Canadian wilderness, Carleton created a narrative that serves as a sophisticated precursor to modern psychological suspense. In contemporary literature, this work remains highly relevant as a masterclass in atmospheric isolation, where the "frozen North" acts not merely as a setting but as a primary antagonist. This technique mirrors modern "Environment as Character" tropes seen in current survivalist fiction, reminding readers that the primitive fear of being trapped in a vast, uncaring wilderness transcends technological advancement and remains a powerful literary hook.

From a criminological perspective, the novel offers a compelling study of frontier anomie. In the absence of formal state policing, the isolated mine becomes a vacuum where white-collar crimes like corporate fraud and title theft inevitably devolve into violence. This lack of social control forces characters into a state of informal justice, predating modern investigative frameworks through "bushcraft forensics." In an era before chemical analysis or DNA, Carleton’s characters rely on environmental reconstruction—analyzing the crust of snowdrifts or the set of a footprint—to determine the timing of a crime. This reliance on natural preservation within a crime scene provides a proto-historical look at how physical environment shapes both criminal opportunity and the subsequent forensic analysis used to untangle it.

The social dynamics of the mine also provide deep insights into early 20th-century victimology. Carleton highlights a hierarchy of vulnerability, focusing on how marginalized laborers and isolated individuals are targeted by those with institutional power. In this setting, victims are often chosen specifically because their disappearances can be conveniently blamed on the harsh climate rather than foul play. This exploration of "invisible victims" and structural exploitation resonates with modern social justice themes regarding labor and corporate overreach. By subverting the "hard-boiled" male tropes of her time, Carleton used her unique perspective as a female author to provide an emotional depth and keen eye for power imbalances that continue to inform the DNA of modern suspense and elevated horror.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026. 192p.

By ROBERT W. CHAMBERS. Introduction by Colin Heston

When The King in Yellow appeared in 1895, it slipped quietly into a literary world already saturated with decadence, occult enthusiasms, and the fin-de-siècle’s peculiar blend of anxiety and intoxication. Yet Robert W. Chambers’s strange mosaic of tales—united by a fictional forbidden play that unhinges those who read it—swiftly distinguished itself from its contemporaries. In the decades since, this slim volume has grown into one of the foundational works of the American weird tradition, prefiguring H. P. Lovecraft, influencing generations of modern horror writers, and unexpectedly resurfacing in the twenty-first century as a cultural touchstone.

What makes Chambers’s book so unusual is its deliberate blurring of boundaries: between reality and hallucination, sanity and delusion, art and contagion. The collection opens with “The Repairer of Reputations,” a tale set in an imagined New York of 1920—an unsettling mixture of futurism, authoritarian regulation, and manic delusion. It is here that the mysterious “King in Yellow” first exerts his influence. The narrator, a deeply unreliable figure, is convinced of his noble birthright and guided by an enigmatic “repairer” who traffics in scandal and blackmail. The narrative unfolds as a case study in self-deception, political paranoia, and the fragility of identity—yet nothing in the story is easily dismissed as mere fantasy. Reality itself buckles under the weight of the narrator’s convictions.

The Mask, perhaps the most haunting of the early tales, shifts the setting to the Latin Quarter of Paris, where art, science, and obsession converge. The grotesque beauty of Boris Yvain’s alchemical solution—capable of transforming living beings into flawless marble—creates a collision of aesthetics and mortality that typifies Chambers’s most powerful work. The story’s dreamlike quality reflects the decadent movement’s fascination with artificiality, transformation, and the erotic pull of the inanimate. Throughout, the shadow of the forbidden play hovers, never fully seen but always felt.

Other sections—“In the Court of the Dragon,” “The Yellow Sign,” and additional sketches—extend the book’s architecture of dread. Chambers never provides the text of the play itself, only its aftershocks, its “second act” whispered about as a psychic abyss from which there is no return. This structural absence is one of the book’s great innovations: The horror lies not in spectacle but in suggestion, in the void where meaning should be. The King in Yellow, the Pallid Mask, and the Lost City of Carcosa are not fully explained but instead exist as fragments of a mythology the reader assembles intuitively, as though the stories themselves are encoded with an infectious idea.

The power of The King in Yellow endures because it is not simply a collection of supernatural tales—it is a meditation on contagion: of ideas, of aesthetics, of inner instability. Chambers’s fictional play does not merely frighten; it corrodes. It reveals hidden fractures in those who encounter it and amplifies their darkest impulses. In this sense, the book mirrors its age. The 1890s were marked by the collapse of old certainties, the rise of new sciences of the mind, and an artistic fascination with decadence, degeneration, and the beautiful ruin of the self. Chambers captured that atmosphere with uncanny acuity.

Today, amidst digital conspiracies, fractured identities, and a renewed cultural fascination with alternate realities, The King in Yellow feels more relevant than ever. It invites the reader to step into a world where truth is unstable, where art is dangerous, and where the boundaries of perception are mercilessly thin. The book’s whispered mythology has become larger than the text itself, seeding later works, reappearing in unexpected media, and reminding us that the most enduring horrors are those we cannot fully see.

To open these stories is to risk a glimpse of the Yellow Sign—a symbol of beauty, madness, and forbidden knowledge. Chambers offers no assurances. He only extends an invitation to enter Carcosa, where twin suns sink over black waters and where, once the play begins, the mask cannot be removed.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2026 p.209

By Francis Beeding. Introduction by Colin Heston.

In the shadows of a Europe still scarred by the Great War, a new and more terrifying conspiracy awakens. When Thomas Preston arrives in Geneva, he expects nothing more than a quiet diplomatic mission. Instead, he is thrust into a lethal game of cat-and-mouse after stumbling upon the secrets of the "Seven Sleepers"—a clandestine cabal of German industrialists and embittered generals plotting to shatter the fragile peace of the League of Nations.

Equipped with a terrifying hidden technology and a ruthless determination to rewrite the Treaty of Versailles, the Sleepers have already set their clock for a second global cataclysm. Preston’s only hope lies with the enigmatic Colonel Alastair Granby of British Intelligence. From high-speed chases across the continent to the inner sanctums of hidden laboratories, they must race to dismantle the conspiracy before the world is plunged back into the abyss of total war.

Originally published in 1925, The Seven Sleepers is the pulse-pounding debut of Francis Beeding’s most famous hero. It is a classic of the "clubland" thriller era, blending atmospheric suspense with the high-stakes espionage that defined a generation.

NU. Little Brown & Co. 1925.. New York-Philadelphia-Australia.. Read-Me.Org Inc. 2026. 182p.

by Thomas W Lawson (Author), Colin Heston (Editor)

Friday the Thirteenth (1907) is a fast-paced financial novel by Thomas W. Lawson, a real-life financier and reformer who had firsthand experience in the volatile world of Wall Street at the turn of the twentieth century. The book tells the story of Robert Brownley, a charismatic but embittered stockbroker who decides to take revenge on the corrupt financial system that has wronged him. Choosing the superstitiously unlucky date of Friday the 13th, Brownley orchestrates a plan to deliberately crash the stock market, triggering a financial panic that ruins the wealthy elite and brings Wall Street to its knees.

Lawson uses the novel to expose the greed, manipulation, and moral bankruptcy of the financial world, offering readers both a gripping drama and a pointed critique of early twentieth-century capitalism. The book combines elements of romance, thriller, and social commentary, presenting the stock exchange as both a place of opportunity and a dangerous machine capable of destroying lives.

Today, Friday the Thirteenth is notable not only as an engaging piece of popular fiction but also as a window into public attitudes toward finance during the Progressive Era. It remains a fascinating blend of fiction and financial history, reflecting Lawson’s insider knowledge and reformist zeal.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 109 p.

By Alexandre Dumas (Author), G. Staal (Illustrator), J.A. Beauce (Illustrator), & 2more Format: Kindle Edition

Few novels have captured the imagination of readers across generations as powerfully as The Count of Monte Cristo. First published in 1844, this sweeping tale of betrayal, revenge, and redemption is the work of Alexandre Dumas, one of France’s most celebrated literary figures. Set against the backdrop of post-Napoleonic France, the novel follows the transformation of Edmond Dantès, a young sailor whose promising future is shattered by the treachery of those he trusted. Wrongfully imprisoned in the Château d’If, Dantès emerges years later not as the man he once was, but as the enigmatic and wealthy Count of Monte Cristo—determined to exact justice on those who wronged him. At once a thrilling adventure and a profound exploration of human nature, The Count of Monte Cristodelves into themes of vengeance, justice, mercy, and the enduring power of hope. Dumas weaves a rich tapestry of characters and subplots, each contributing to the novel’s intricate moral landscape. His storytelling is both grand in scope and intimate in detail, offering readers a journey that is as emotionally resonant as it is exhilarating.
This two volume edition is based on the five volume 1888 English edition. It retains all text as in the original and includes most of the illustrations preserving the spirit and elegance of Dumas’s original edition, while making the novel accessible to contemporary readers. This version is most likely that of an anonymous translator who translated the work from the French for the publisher Chapman and Hall in 1846. There have been many translations in dozens of languages, and some in the 20th century basically rewriting the novel in modern prose and almost always considerably abridged.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 501 p.

By Alexandre Dumas (Author), G. Staal (Illustrator), J.A. Beauce (Illustrator), & 2more Format: Kindle Edition

Few novels have captured the imagination of readers across generations as powerfully as The Count of Monte Cristo. First published in 1844, this sweeping tale of betrayal, revenge, and redemption is the work of Alexandre Dumas, one of France’s most celebrated literary figures. Set against the backdrop of post-Napoleonic France, the novel follows the transformation of Edmond Dantès, a young sailor whose promising future is shattered by the treachery of those he trusted. Wrongfully imprisoned in the Château d’If, Dantès emerges years later not as the man he once was, but as the enigmatic and wealthy Count of Monte Cristo—determined to exact justice on those who wronged him. At once a thrilling adventure and a profound exploration of human nature, The Count of Monte Cristodelves into themes of vengeance, justice, mercy, and the enduring power of hope. Dumas weaves a rich tapestry of characters and subplots, each contributing to the novel’s intricate moral landscape. His storytelling is both grand in scope and intimate in detail, offering readers a journey that is as emotionally resonant as it is exhilarating.
This two volume edition is based on the five volume 1888 English edition. It retains all text as in the original and includes most of the illustrations preserving the spirit and elegance of Dumas’s original edition, while making the novel accessible to contemporary readers. This version is most likely that of an anonymous translator who translated the work from the French for the publisher Chapman and Hall in 1846. There have been many translations in dozens of languages, and some in the 20th century basically rewriting the novel in modern prose and almost always considerably abridged.

Read-Me.Org Inc. New York-Philadelphia-Australia. 2025. 456 p.

By Paul McGorrery

In sentencing an offender, courts take many factors into account, such as the seriousness of the offence, the offender’s prior record, their age, whether they pleaded guilty and many others. In Australia, courts do this through an approach known as instinctive synthesis, meaning they consider all the factors that can justify a sentence being more or less severe and then arrive at a final outcome. One of the factors that courts may take into account is whether the offender has already been punished in some fashion outside the criminal justice process. Known as extra-curial punishment3 (or extra judicial or natural5 punishment) this can take various forms such as visa cancellation,6 loss of chosen career, injury to the offender8 and hardship to the offender’s family. This report is concerned with just one form of extra-curial punishment: adverse media coverage, in particular, of people. The media and the courts have an important and symbiotic relationship, but sometimes their interests can diverge. The media have an interest in reporting on criminal justice matters because they are often stories of considerable interest to their audiences. In reporting on those stories, the media often concentrate their attentions ‘on the exceptional and unusual among serious crimes’, which can lead to ‘intense and often emotive media reporting’ about sentencing. This can run the risk of undermining, rather than promoting, confidence in the justice system.

Courts in turn have an interest in having their decisions reported. Confidence in the judicial arm of the criminal justice system relies on a combination of community awareness about what courts do, the transparency of their work, and the apparent fairness of their decisions, which can only be scrutinised if there is transparency and community awareness. Moreover, the sentencing purpose of general deterrence – whereby the sentencing of one offender is thought to deter other people from engaging in similar behaviour – is realistically only achievable (if at all) if the media and/or government operate as the conduit between the courts and the community. While some courts have taken the very laudable step of making most of their sentencing remarks publicly available, many people do not even have time to read media summaries, let alone original source material like sentencing remarks, especially in the social media age. So the community realistically only becomes aware of sentencing decisions through the media. The difficulty is balancing the need for fair coverage (the courts’ priority) with the need for interesting coverage (the media’s priority). Justice Harper has described the relationship as like a ‘Greek tragedy’ because ‘[e]ach is forced by its circumstances to face the other off, with neither having the flexibility necessary to reach a satisfactory working compromise’.

Malbourne: Sentencing Advisory Council (VIC), 2022. 24p.

By Dimitri A. Bogazianos

In 2010, President Barack Obama signed a law repealing one of the most controversial policies in American criminal justice history: the one hundred to one sentencing disparity between crack cocaine and powder whereby someone convicted of “simply” possessing five grams of crack—the equivalent of a few sugar packets—had been required by law to serve no less than five years in prison. In this highly original work, Dimitri A. Bogazianos draws on various sources to examine the profound symbolic consequences of America’s reliance on this punishment structure, tracing the rich cultural linkages between America’s War on Drugs, and the creative contributions of those directly affected by its destructive effects.

Focusing primarily on lyrics that emerged in 1990s New York rap, which critiqued the music industry for being corrupt, unjust, and criminal, Bogazianos shows how many rappers began drawing parallels between the “rap game” and the “crack game." He argues that the symbolism of crack in rap’s stance towards its own commercialization represents a moral debate that is far bigger than hip hop culture, highlighting the degree to which crack cocaine—although a drug long in decline—has come to represent the entire paradoxical predicament of punishment in the U.S. today.

UA Open. New York; London: NYU Press, 2011. 216p.